Sunday, 7 April 2013

Two Pugs - Linocut - Part 1 continued

I wanted to see whether it was possible to create delicate coloured cross hatching in places like the Pugs eyes by overlaying just this limited colour range. For this to work each colour needed to also work as an equally spaced  gradient of tones.
I also studied the leaf and flower fabric with a view to incorporating it as a backdrop.

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